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**Gökkuşağı** · 29.10.11, 14:58

William Hogarth Eserleri - William Hogarth Tabloları - William Hogarth Resimleri

March of the Guards to Finchley (1750), a satirical depiction of troops mustered to defend London from the 1745 Jacobite rebellion.

Hogarth's Portrait of Captain Thomas Coram, 1740

Hogarth's portrait of The Shrimp Girl 1740-1745

An early print of 1724, A Just View of the British Stage

A Rake's Progress, Plate 8, 1735, and retouched by Hogarth in 1763 by adding the Britannia emblem

Gin Lane

Marriage a-la-mode, Shortly After the Marriage (scene two of six).

The Assembly at Wanstead House. Earl Tylney and family in foreground

The Bench, 1758

The Beggar's Opera VI, 1731, Tate Britain's version (22.5 x 30 ins.)

Kaynak: wikipedia

29.10.11, 14:58	#1
Kullanıcı Profili Gökkuşağı Moderator Tualim.NetGökkuşağı Kullanıcı Bilgileri Üyelik tarihi: Oct 2009 Yaş: 42 Üye No: 375 Mesajlar: 1.918 Konular: 1568 Bulunduğu yer: Ankara	William Hogarth Eserleri - William Hogarth Tabloları - William Hogarth Resimleri William Hogarth Eserleri - William Hogarth Tabloları - William Hogarth Resimleri March of the Guards to Finchley (1750), a satirical depiction of troops mustered to defend London from the 1745 Jacobite rebellion. Hogarth's Portrait of Captain Thomas Coram, 1740 Hogarth's portrait of The Shrimp Girl 1740-1745 An early print of 1724, A Just View of the British Stage A Rake's Progress, Plate 8, 1735, and retouched by Hogarth in 1763 by adding the Britannia emblem Gin Lane Marriage a-la-mode, Shortly After the Marriage (scene two of six). The Assembly at Wanstead House. Earl Tylney and family in foreground The Bench, 1758 The Beggar's Opera VI, 1731, Tate Britain's version (22.5 x 30 ins.) Kaynak: wikipedia __________________ Gökkuşağı Konu Gökkuşağı tarafından (24.12.11 Saat 03:03 ) değiştirilmiştir..