El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tablo

**Gökkuşağı** · 27.10.11, 23:05

El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tabloları

Kont Orgaz'ın cenazesi, 1586–1588, yağlıboya, 480 × 360 cm, Santo Tome, Toledo.

El Greco, otoportre, 1614.

The Modena Triptych (1568, tempera on panel, 37 × 23,8 cm (central), 24 × 18 cm (side panels), Galleria Estense, Modena) is a small-scale composition attributed to El Greco.

The Opening of the Fifth Seal (1608–1614, oil, 225 × 193 cm., New York, Metropolitan Museum) has been suggested to be the prime source of inspiration for Picasso's Les Demoiselles d'Avignon.

Picasso's Les Demoiselles d'Avignon (1907, oil on canvas, 243.9 × 233.7 cm., New York, Museum of Modern Art) appears to have certain morphological and stylistic similarities with The Opening of the Fifth Seal.

The Holy Trinity (1577–1579, 300 × 178 cm, oil on canvas, Museo del Prado, Madrid, Spain) was part of a group of works created for the church "Santo Domingo el Antiguo".

The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco (Created by the hand of Domenicos), was painted in Candia on part of an old chest.

View of Toledo (c. 1596–1600, oil on canvas, 47.75 × 42.75 cm, Metropolitan Museum of Art, New York) is one of the two surviving landscapes of Toledo painted by El Greco.

The Disrobing of Christ (El Espolio) (1577–1579, oil on canvas, 285 × 173 cm, Sacristy of the Cathedral, Toledo) is one of the most famous altarpieces of El Greco. El Greco's altarpieces are renowned for their dynamic compositions and startling innovations.

The Assumption of the Virgin (1577–1579, oil on canvas, 401 × 228 cm, Art Institute of Chicago) was one of the nine paintings El Greco completed for the church of Santo Domingo el Antiguo in Toledo, his first commission in Spain.

**Gökkuşağı** · 27.10.11, 23:09

El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tabloları

Portrait of Giorgio Giulio Clovio, the earliest surviving portrait from El Greco (c. 1570, oil on canvas, 58 × 86 cm, Museo di Capodimonte, Naples). In the portrait of Clovio, friend and supporter in Rome of the young Cretan artist, the first evidence of El Greco's gifts as a portraitist are apparent.

The Dormition of the Virgin (before 1567, tempera and gold on panel, 61,4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros) was probably created near the end of the artist's Cretan period. The painting combines post-Byzantine and Italian mannerist stylistic and iconographic elements.

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	Konu Başlığı El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tablo	Konudaki Cevap Sayısı 1
	Şuan Bu Konuyu Görüntüleyenler	Görüntülenme Sayısı 10864

27.10.11, 23:05	#1
Kullanıcı Profili Gökkuşağı Moderator Tualim.NetGökkuşağı Kullanıcı Bilgileri Üyelik tarihi: Oct 2009 Yaş: 43 Üye No: 375 Mesajlar: 1.928 Konular: 1568 Bulunduğu yer: Ankara	El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tablo El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tabloları Kont Orgaz'ın cenazesi, 1586–1588, yağlıboya, 480 × 360 cm, Santo Tome, Toledo. El Greco, otoportre, 1614. The Modena Triptych (1568, tempera on panel, 37 × 23,8 cm (central), 24 × 18 cm (side panels), Galleria Estense, Modena) is a small-scale composition attributed to El Greco. The Opening of the Fifth Seal (1608–1614, oil, 225 × 193 cm., New York, Metropolitan Museum) has been suggested to be the prime source of inspiration for Picasso's Les Demoiselles d'Avignon. Picasso's Les Demoiselles d'Avignon (1907, oil on canvas, 243.9 × 233.7 cm., New York, Museum of Modern Art) appears to have certain morphological and stylistic similarities with The Opening of the Fifth Seal. The Holy Trinity (1577–1579, 300 × 178 cm, oil on canvas, Museo del Prado, Madrid, Spain) was part of a group of works created for the church "Santo Domingo el Antiguo". The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco (Created by the hand of Domenicos), was painted in Candia on part of an old chest. View of Toledo (c. 1596–1600, oil on canvas, 47.75 × 42.75 cm, Metropolitan Museum of Art, New York) is one of the two surviving landscapes of Toledo painted by El Greco. The Disrobing of Christ (El Espolio) (1577–1579, oil on canvas, 285 × 173 cm, Sacristy of the Cathedral, Toledo) is one of the most famous altarpieces of El Greco. El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. The Assumption of the Virgin (1577–1579, oil on canvas, 401 × 228 cm, Art Institute of Chicago) was one of the nine paintings El Greco completed for the church of Santo Domingo el Antiguo in Toledo, his first commission in Spain. __________________ Gökkuşağı

27.10.11, 23:09	#2
Kullanıcı Profili Gökkuşağı Moderator Tualim.NetGökkuşağı Kullanıcı Bilgileri Üyelik tarihi: Oct 2009 Yaş: 43 Üye No: 375 Mesajlar: 1.928 Konular: 1568 Bulunduğu yer: Ankara	El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tablo El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tabloları Portrait of Giorgio Giulio Clovio, the earliest surviving portrait from El Greco (c. 1570, oil on canvas, 58 × 86 cm, Museo di Capodimonte, Naples). In the portrait of Clovio, friend and supporter in Rome of the young Cretan artist, the first evidence of El Greco's gifts as a portraitist are apparent. The Dormition of the Virgin (before 1567, tempera and gold on panel, 61,4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros) was probably created near the end of the artist's Cretan period. The painting combines post-Byzantine and Italian mannerist stylistic and iconographic elements. __________________ Gökkuşağı

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